On Wednesday, the London Launch of Food of Love, cooking up a life across gender, class and race was in the Nehru Centre (The Indian High Commission) in Mayfair . I was assisted by the delightful actor/singer Kamal Khan. His
I've been distressed by the fear-mongering in Suella Braverman’s rhetoric with regard to asylum seekers. When the Madras Courier asked me to write on the topic I jumped at the chance. I have pasted the copy below so you don’t
I went to London to see Qu Leilei and his partner Caroline Deane’s exhibition Calligraphy Forest of Misinformation. It was a moving experience. It was originally shown in Milan and is inspired by a phenomenon of our time https://www.facebook.com/sylvia.vetta/videos/1986347964828795 The
In the ‘Appetiser’ to my memoir Food of Love: Cooking up a life across Gender, Class and Race, I include a photograph of an unusual sculpture being placed in a roof in Headington. I only give two pieces of
https://www.youtube.com/watch?v=whX1OTtWkpY&t=448s Following the publication of my memoir Food of Love, cooking up a life across gender, class and race, Catherine Whelan Costen who lives in Calgary, asked to interview me. It gave me the opportunity to share my belief that
At Oxib tomorrow, I’ll talk about and sign copies of my just published memoir Food of Love Cooking up a life through gender class and race. It’s received great endorsements from the journalist , Yasmin Alibhai
In the ‘Appetiser’ to my memoir Food of Love: Cooking up a life across Gender, Class and Race, I include a photograph of an unusual sculpture being placed in a roof in Headington. I only give two pieces of advice
At the public launch of Food of Love at the Old Fire Station last night we discussed Gender, Class & Race. The panel of speakers were able to speak from decades of experience and from the heart. Junie James of
Taking a genuine interest in China has never been more important to the future of the world in the twenty first century. It's a mistake to stereotype the country and a mistake to ignore it. Rumours of a coup
Weimin says ‘I spent an hour and a half in the print room to study Raphael’s original drawing. I tried to draw the same size as the original and I presume Raphael might have spent no more than 1.5 hours