Taking a genuine interest in China has never been more important to the future of the world in the twenty first century. It's a mistake to stereotype the country and a mistake to ignore it. Rumours of a coup
Weimin says ‘I spent an hour and a half in the print room to study Raphael’s original drawing. I tried to draw the same size as the original and I presume Raphael might have spent no more than 1.5 hours
Gosh .. Claret Press has started to promote my memoir! https://www.claretpress.com/ Do you like the cover? Food_of_Love_Cover_ Writing the lives of the 118 Oxford castaways and the fictional memoir of artist Little Winter in Brushstrokes in Time made me start
You have one day left to support the proposal to make the Headington Shark a heritage site. The Shark is mostly associated with the owner of the house Bill Heine seen in this pic. Bill was my friend but the
This film about the courageous Stars artists will come to the UK soon. I’m delighted because I wrote Brushstrokes in Time to tell the story of the Stars – it’s the ONLY novel inspired by them. I’ve had more good
Nancy Mundenyo Hunt , the joint author of Not so Black and White which is inspired by her life, was on BBC regional news last night . https://www.thenasiotrust.org/bbc-south-today-feature-on-our-20th-anniversary-celebrations/ If you find this video uplifting you will like our novel. It's
Before the Oxford Castaways books and my three novels, I produced a book of ten mostly five mile circular walks for KOA. They were originally led by Jack and Margaret Ibbott, who I thought had walked every inch of Oxfordshire’s
Do you remember this? Radcliffe Observatory Quarter artist in residence, Weimin He, had 60 works of art on hoardings and my poem about the site was also on one. Tower of the Winds is a fabulous record of his six
Life is simply not so black and white… Precious is the daughter of a rural chief in Kenya. She is strong, smart and utterly determined. There is so much she wants to achieve in her life. But this will
It’s taken these surreal times for me to appreciate the outstanding locations and crowded book launches I've enjoyed. The most special was the launch of Oxford Castaways in the Cast Gallery of the Ashmolean which Sir Roger Bannister wound up,