When Claret Press suggested my tagline should be ‘Stories for the Global Reader’ , I froze for a moment. It became obvious to me – that is what I had been writing since 1998 when I started freelance journalism
Why are there , to my knowledge, few statues in the UK to truly good people like Sir Roger Bannister but plenty to men who exploited their fellow human beings or made their mark using legal violence in war? My
More memories . I am often surprised that Newsquest recycle features of mine that I wrote for The Oxford Times. They publish them online all over the country like this one in The Warrington Guardian . http://www.warringtonguardian.co.uk/news/10582069.Turner_and_Constable__Sketching_from_Nature__Compton_Verney/ It’s interesting reading
Has Covid affected readers of my blog as it has me? Because many of us have more reflection time have you found yourselves remembering something which leads you on a nostalgic journey? Every time I walk by the Radcliffe Observatory
The Shark House is one of Oxford's favourite landmarks . Its mostly associated with the late Bill Heine and the artist who made it is often forgotten. John Buckley is not as celebrated as he should be . Bill
African soldiers in WW2and how they were thanked - please read this. I was delighted that The Today Programme had a Ghanaian tell the story of the war in Burma. on this anniversary of # VJ Day Not many people
https://www.oxfordindiebookfair.co.uk/oxford-indie-book-fair-magazine/oibf-magazine-issue-2-july-2020/ This free magazine supports small publishing companies. We are pleased with its variety. My brother Michael Harry has just published Around The World by Land Sea and Air. ( Oxfordfolio) DO YOU KNOW OF ANYONE ELSE WHO HAS DONE THAT?
https://www.oxmag.co.uk/articles/andldquowhy-did-it-happenandrdquo/?amp Not so Black and White is about transforming lives in London and west Kenya but when Nancy Mudenyo Hunt and I were interviewed by Ox Magazine - the topic of the moment was Rhodes –so I was asked about
https://vimeo.com/123886243 The young people of every colour demonstrating at Black Lives Matter protests made me realise how relevant were our workshops for the Shakespeare in Oxford project. The context - Romeo and Juliet re- imagined in East Oxford . Polly
Are we witnessing a genuine desire to look with open minds at the British Empire ? My life and that of every Brit of all shades of skin colour is affected by its legacy. Raising interest in this history