A coup for Chinese New Year! Exclusive interview for Oxfordshire Limited Edition with one of the founders of the Stars Art movement the courageous Qu Leilei. Ai Weiwei, Ma Desheng, Wang Keping and Li Shuang are among his fellow Stars.
I've just received the front and back cover of Brushstrokes in Time and I'm feeling rather emotional. 10 years in the making and it really is happening! Claret Press are being brave in publishing my novel set in China and
Newsquest have syndicated a lot of the reviews listed below. Here is one of them. Maybe it is down to my Cornish heritage but I loved reviewing this exhibition. http://www.oxfordtimes.co.uk/leisure/history_heritage/8958121.Alfred_Wallis_and_Ben_Nicholson__Compton_Verney/ Until recently I wrote two reviews a month for Weekend
Pictures: Qu Leilei and I outside his childhood weekend home in The Summer Palace, The Stars March to Tiananmen Square (1979) Right:Weimin He's picture at the ROQ site inspired by my poem An Artist Observes .Castaway No
I remember going to the Dora Marr sale of work by Picasso and being struck by the childlike quality of quite a large proportion of it. I am impressed by children’s art when it is spontaneous. In September Oxfordshire Limited Edition,
Yi Chen is Christensen fellow at the Ashmolean ( I first met Weimin He when he held that post. ) She and Shelagh Vainker curated this delightful exhibition. I can recommend it if you need to slow down, relax and enjoy a
I’m not imagining it! Until December 14, work by China’s most famous dissident artist is on display in the stately home of the Duke of Marlborough. , Click on the link to read my review in Weekend magazine. Copy alone.Ai Weiwei
Love is Enough @ MAO until March 8 ( see if it you can) This exhibition curated by Turner prize winner, Jeremy Deller is also a winner. He told me “Warhol ruined me. In 1986, aged 20 I was at
Flight and the Artistic Imagination @Compton Verney (August 2012) (This review was syndicated ) Compton Verney goes from strength to strength. Its visitor numbers are seventy per cent up on last year and the recently opened exhibition Flight and the
Weimin’s painting of a workman doing a handstand in sight of the Observatory is joyful. I was delighted to see that the editor, Tim Metcalfe had used it on the cover of Oxfordshire Limited Edition. I get great pleasure